Caesar purple is more complex and transparent than alizarin crimson, making it a secret weapon for painters who use Mussini.

Our favorite earth green of all time, with a bluish character that suggests moss or dawn-lit foliage.

Commonly found in Byzantine frescos, this dark, intense blue can be applied in deep shadows or diluted for blue-black glazes.

Unbelievably intense but retaining a sense of natural warmth, Mussini Transparent Orange is blazing sunset in a tube.

New to the Schmincke Mussini assortment, Transparent Brilliant Yellow is designed for bright, clear glazes.

An unusually vibrant yellow earth, especially useful in landscape painting but also great for mixing realistic skin tones.

The perfect way to start with Mussini. This classic rosewood box of 10 colors features a versatile mixing palette in a gorgeous case.

For the completist, this briefcase-sized wood box set features 16 colors of Mussini, plus all the mediums, brushes, and accessories you'll need to get started. This really is a studio in a box.

We've combined Mussini's old-world charm with the contemporary CMYK mixing system for this high-chroma mixing set.

Try the three most iconic transparent colors in the Mussini lineup at a special price.

These saturated earth tones will be a welcome addition to any artist's studio. Render a world that feels alive, not flat and silent.

Thin your oil colors with Diluent N, an odorless turpentine replacement formulated for Mussini.

The heart and soul of oil colors. Linseed oil can be used in different proportions with thinner to achieve different paint textures.

Poppy oil can be used with light colors to produce clearer tones and minimize yellowing over years of display and storage.

For building texture, Schmincke offers this stiff impasto medium in a tube.

Medium W turns Mussini into a water-mixable paint, so you can thin and clean up with water. If you want to get just one medium, this is a simple solution to modifying oils.

Medium W Gel has the same water-mixable properties as Medium W liquid, but in a stiff impasto medium.

Our preferred vessel for thinner and highly thinned color, this Pyrex beaker cleans up easily and lets you see what's inside.

For removing dry oil color from hard surfaces like glass palettes, a razor blade scraper is the best solution.

You'll be glad you have this little tool for wiping small bits of paint off your canvas and cleaning up the corners of palettes.

This tub of brush soap will save you a fortune in ruined brushes. Pro tip: put some soapy water on your brush right away, then keep it wet until you wash it completely.

Try these handy glass dropper bottles for dispensing small amounts of medium onto your palette for mixing.

Washi tape is the best for masking areas on your surface and protecting areas near your painting.